Louisiana Voice

Former Director of the Office of Alcohol and Tobacco Control Murphy Painter was acquitted of all the dubious charges brought against him by the Jindal administration after Painter refused to bend the rules for granting alcohol permits to a vendor for Tom Benson’s Champions’ Square in New Orleans. (See our original story HERE.)

But now, three years after his hard-fought battle to clear his name, events are only now coming to light that illustrate just how far the Jindal administration was willing to go in violating Painter’s Fourth Amendment rights against unlawful search and seizure in order to build what it thought would be a slam dunk criminal case against him.

Instead, the state ended up having to pay Painter’s legal fees of $474,000.

Documents obtained by LouisianaVoice also show that investigators lied—or at least distorted the truth beyond recognition—about Painter and that the state tampered with and/or destroyed crucial evidence, much of it advantageous to Painter’s case.

Benson, after all, was a huge contributor to Jindal campaigns and the state’s agreeing to lease office space from Benson Towers at highly inflated rates apparently was not enough for the owner of the Saints; that liquor permit needed to be approved, rules notwithstanding, and when Painter insisted on playing by the book, he was called before the governor and summarily fired and federal charges of sexual harassment were doggedly pursued by an administration eager to put him away for good.

But he fooled them. He was acquitted, and he filed a civil lawsuit against his accuser, which he won at the trial court level but lost on appeal (See story HERE). He currently has another civil lawsuit pending against the Office of Inspector General (OIG).

Now the state is dragging that litigation out in the hopes that with his limited finances and the state’s ability to draw on taxpayer funds indefinitely, he can be waited out until he no longer has the financial resources to seek the justice due him.

Briefs, motions, requests of production of documents, interrogatories, continuances—all designed to extend the fight and to keep the lawyers’ meters running and the court costs mounting—are the tactics of a defendant fearful of an adverse ruling. If that were not the case, it would be to the state’s advantage to try the case ASAP.

And never mind that every brief, every motion, every interrogatory, every request for production, and every continuance means the state’s defense attorneys are getting richer and richer—all at the expense of taxpayers who are the ones paying the state’s legal bills.

But all that aside, LouisianaVoice has come into possession of documents that clearly show the state was in violation of Painter’s constitutional rights and that an investigator for OIG simply colored the truth in the reports of the OIG “investigation” of complaints against him.

That investigator, who now works for the East Baton Rouge Parish coroner’s office, was inexplicably dismissed from Painter’s civil lawsuit against the state by the First Circuit Court of Appeal. Painter has taken writs on that decision to the Louisiana Supreme Court as that civil litigation rocks on in its sixth year of existence. I’ll get back to him momentarily.

The events leading up to Painter’s firing and subsequent federal indictment began innocently enough with a March 29, 2010, letter to Painter from then-Department of Revenue Secretary Cynthia Bridges. She was writing pursuant to a complaint lodged by ATC employee Kelli Suire who would later the catalyst in Painter’s firing. Bridges, however found no violations by Painter regarding the complaint of “unprofessional” behavior toward Suire, but said concerns about his management style would be left “to the proper authority to discuss with you at a later date.”

Then on Aug. 13, 2010, more than four months following Bridges’s letter, Baton Rouge television station WBRZ reported that Painter “resigned” and the OIG’s office simultaneously raided ATC offices, seizing Painter’s state desktop and laptop computers, three thumb drives, notes, affidavits, reports, maps, ATC documents, telephone reports, and a 2010 Dodge Charger assigned to Painter.

There was only one problem with the timing.

Bonnie Jackson, 19^th Judicial District Judge, did not sign the search warrant authorizing the raid and search of Painter’s office until Monday, Aug. 16.

That would appear to have made the previous Friday’s raid—pulled off three days before a judge had signed the search warrant—illegal and a clear violation of the Fourth Amendment which says, “The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no warrants shall issue, but upon probable cause, supported by oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.” (Emphasis added.)

The second violation, the destruction of evidence was not learned until three years later when Painter’s computer was finally returned and he found that some 4,000 files had been deleted. Much of that, of course, would have been routine state business related to ATC operations but there was other information contained in the files, Painter says, that could have helped exonerate him from the charges that were lodged against him by the Jindal administration. It is not only illegal to destroy evidence, but also to destroy state documents—even if they do not constitute evidence.

The third violation, this one by OIG, involved the apparent misrepresentation of testimony given in interviews by an attorney and his assistant who had experienced difficulty in obtaining a liquor license on the part of his client, a business with multiple out-of-state owners, a situation which made the licensure procedure more involved.

The attorney, Joseph Brantley, and Painter had exchanged emails whereupon Painter invited Brantley to come to the ATC offices so that the problem could be worked out. “Why don’t you come by here around 3:00 p.m. or 4:00 if that works for you tomorrow and we will go over ours versus yours,” Painter said in his email at 12:26 p.m. on Sunday, Dec. 14, 2008. Brantley responded three minutes later, asking, “Is it OK if I bring the lady that has been doing the primary work (on the file)?”

OIG investigator Shane Evans, who now works for the East Baton Rouge Parish coroner’s office as its chief investigator, then laid the groundwork for the sexual harassment charges to be brought against Murphy when he wrote in a report of his interview with Brantley on Oct. 13, 2010:

“Mr. Brantley advised that Toby Edwards was a former assistant (paralegal) of his, that she is an attractive woman, and that after the meeting in late 2008, Mr. Painter granted the permit immediately.”

In his report of his interview with Edwards, also on Oct. 13, 2010, Evans wrote:

“During the meeting with Mr. Painter, he told Ms. Edwards that he had run her driver’s license and looked at her photograph. He said that was the only reason that he had granted them the meeting. (That is blatantly false: Copies of the Dec. 14, 2008, email exchange between Painter and Brantley obtained by LouisianaVoice clearly show that Painter invited Brantley to a meeting before he ever knew of Edwards’s existence.) She took his statement as the only reason he decided to meet with them is because he thought she was attractive. Ms. Edwards said his statement and demeanor made her very uncomfortable. She said she was very glad Mr. Brantley was present.

“She also said that she found it unusual that the permit had been repeatedly turned down but once she met with Mr. Painter face-to-face, her client immediately received the permit.”

Another report by OIG, the result of a second interview with Edwards on Nov. 5, 2012, described both Brantley and Edwards as “uncomfortable” during the meeting with Painter.

A second interview of Brantley on Nov. 7, 2012 produced yet a fourth OIG report that said, in part, that Edwards wore a “professional,” semi-low-cut shirt. “Mr. Brantley noticed that Mr. Painter noticed and glanced at Ms. Edwards’s chest during the meeting.

“…According to Mr. Brantley, Mr. Painter ‘clearly looked at’ Ms. Edwards’s chest,” the report says. Mr. Brantley even told Ms. Edwards that Mr. Painter was attracted to women, maybe more ‘than the average guy.’ Although Ms. Edwards would have attended the meeting anyway, Mr. Brantley took her to the meeting ‘for effect.’ He thinks that the meeting was more successful than it would have been otherwise if Ms. Edwards had not attended.

Pretty damning stuff, right?

Well, it would be except for affidavits signed and sworn to by Brantley and Edwards (now Pierce), which provide quite a contrasting version of events.

Brantley, after reviewing the OIG reports, flatly denied ever telling Evans or any other OIG investigator that Edwards took part in the meeting with Painter because Painter was fond of females.

“I brought her because she had more knowledge about the file than did I and she was more capable of answering any questions that may have arisen.”

Edwards pointedly noted that the meeting took place in a room “with all glass windows and doors.” She said she also learned at the meeting that Painter was a long-time acquaintance of her father, a former deputy sheriff in East Feliciana Parish and joked to her that he didn’t know her dad “had a daughter that was so pretty.” She said he then excused himself for a few minutes and later returned with a license for Brantley’s client.

Here are both of those affidavits:

So, with a little tweaking of the facts, a man’s career was ruined, his occupation stripped from him and his finances gutted—all because he insisted that a major campaign contributor submit the proper forms before obtaining a liquor license for his Sunday parties outside the New Orleans Superdome.

This is Louisiana at its worst, folks, and it’s a clear example of how the political establishment can crush you if you don’t have the right contacts and sufficient financial resources to match those of the state’s taxpayers.