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By Jamie Segura
The seven-hospital LSU Health System, that serves the most vulnerable, needy populations in the southern part of Louisiana, will soon be just a shell of a health system. Thursday, the Joint Health and Welfare Committee of the Louisiana Legislature learned that some 1500 healthcare workers in New Orleans, Baton Rouge, Lafayette, Houma, Independence, Bogalusa and Lake Charles will soon lose their jobs. The inpatient bed capacities will dramatically decrease at every facility. All of these cuts are being made to meet a $152 million budget reduction.

Several legislators, including Sen. Ben Nevers (D-Bogalusa), openly expressed their frustration and anger during the four-hour hearing.

Frank Opelka, LSU’s Executive Vice President for Health Care and Medical Education Redesign, outlined a plan that calls for only 10 inpatient beds at Lake Charles, Independence and Lafayette. Earl K. Long in Baton Rouge will be reduced to 10 inpatient beds and between three and five additional beds designated for hospitalization of Department of Corrections’ inmates. In New Orleans, the Interim LSU Hospital (known to most in New Orleans as University Hospital) will go from 201 inpatient beds down to 155 beds (90 med-surg beds, 36 ICU beds and 29 psyche beds). The cuts in New Orleans represent more than $49 million and over 423 positions.

Chabert Medical Center in Houma will maintain 58 beds. LSU Bogalusa will keep 28 of its beds.

Additionally, many clinics affiliated with the hospitals will be closed as well.

At the outset of the meeting, Senate President John Alario, Westwego, acknowledged the lack of input by lawmakers into the process.
“The worst thing we can do in a democracy is to keep secrets,” Alario stated at the beginning of the meeting. House Speaker Chuck Kleckley, Lake Charles, agreed with Alario.

Opelka told the lawmakers that the problems being faced by the LSU hospitals are “local problems requiring local solutions.” LSU is counting on private partnerships in each of the affected communities to pick up the care of those patients currently using the LSU hospitals and clinics.

However, Opelka could name only one such partnership currently in the works, Earl K. Long and Our Lady of the Lake in Baton Rouge.

The LSU hospitals are also the location of Graduate Medical Education (GME) and residencies of doctors in training. While that is a significant concern, most lawmakers were more interested in healthcare services for their constituents.

Once Opelka finished his presentation, the same given earlier in the day to the LSU Board of Supervisors, legislators were quick with questions and expressed frustration at the decision-making process. Several complained that they were not kept informed of what the plans might involve for cuts in their districts and that learning about these cuts in the newspaper or television news was unacceptable.

Leading the charge was Rep. Regina Barrow, Baton Rouge, who sought specifics on the move of the OB/GYN Clinic of Earl K. Long to Woman’s Hospital.
“When was the decision made?” she asked Opelka. “No one told me or the senator from the area. I had to read about it in the paper the next day.”

Opelka could not provide specifics. Barrow’s complaint about lack of inclusion and hearing about cuts and downsizing in the news media was echoed by several lawmakers including Reps. Kenny Cox, Natchitoches, and Katrina Jackson, Monroe.

“What about prison care?” Barrow continued. She also asked about the build out of a new urgent care facility in Baton Rouge.

In the four hour committee meeting, member after member asked specific questions about facilities located in their districts. Opelka bluntly told the gathering that patient access to care will likely decrease as a result of the reduction in funding.

Though the three LSU facilities in the northern part of the state, LSUMC in Shreveport, E.A. Conway in Monroe and Huey P. Long in Alexandria, are not included the same LSU system, lawmakers from those areas expressed similar concerns about what was coming their way.

Jackson, who served in a legislative staff position prior to being elected to the Legislature, expressed concern about “public-private partnerships.”

“I get worried when I hear public/private partnerships…we have no data that these private/public partnerships will be better,” she told Opelka. “This train is moving pretty fast.”

Perhaps the most passionate exchange came during comments and questions by Senator Ben Nevers, D-Bogalusa. Nevers told the panel that he and his family use the LSU facility in Bogalusa as do most of the residents of that area. He heaped praises on the staff and quality of care at LSU Bogalusa.

With emotions visible on his face and in his voice Nevers questioned Opelka on the timeline for these cuts.

“When will these cuts take place? Next week?” he asked. “Where will healthcare services be received?” Opelka offered no response.

Nevers pressed on, “who dies, who lives, who suffers, who doesn’t suffer? What about the economy in these areas?”

Nevers added that patients will “go to the closest emergency room you can find…know what that’s gonna cost us? It’s gonna cost us more. I cannot be satisfied without knowing if my people can receive care.”

Those comments pretty much summed up the feelings of both Representatives and Senators on the committee and the almost 100 people in the audience.
When questioned about the future and if there could be more cuts coming in the spring leading into the next fiscal year Opelka acknowledged that possibility. Some legislators openly commented on the predictability of closure of some if not all of the LSU hospitals.

The cuts were approved the LSU Board of Supervisors earlier in the day. Some of the cuts could be seen as early as next week while others will be made by the end of the year.

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Half-a-century ago, in the late fifties, a wave of popular music swept across America that captured the imagination of a nation that was just beginning to morph from national innocence to prolonged skepticism and disillusionment. The catalyst of that transformation was, of course, the 1963 assassination of President John F. Kennedy. The subsequent murders of Robert Kennedy, Martin Luther King and John Lennon only fueled that growing undercurrent of national distrust and resentment that permeates our society even today.

You couldn’t dance to that music, so far removed was it from the histrionics of Chuck Berry, Elvis, Gene Vincent and Little Richard, so it was never showcased on American Bandstand but the movement gave birth to some of the most memorable song lyrics ever recorded and it would eventually help fuel the groundswell of protests to the Vietnam War in the ensuing decades of the sixties and seventies and launched the careers of a new crop of singers who would contribute admirably to the genre.

We’re talking about American folk music and the popular but short-lived ABC musical variety show, Hootenanny.

The movement began inconspicuously enough around 1958 with the number-one, Grammy winning Tom Dooley by the Kingston Trio. In short order we had Harry Belafonte with The Banana Boat Song (Day-O), the Brothers Four with Darling Sporting Jenny, and the Highwaymen with Cotton Fields.

Remember the Kingston Trio in their follow up hit, The MTA, quoting Thomas Paine with the opening (spoken) line, “These are the times that try men’s souls”?

How prophetic.

Those performers and those songs opened the door for Bob Dylan, Joan Baez, the New Christy Minstrels, the Chad Mitchell Trio, Barry McGuire, Melanie, John Denver, Neil Young, Peter, Paul and Mary, Buffalo Springfield, and Arlo Guthrie, son of arguably the most famous folk singer of them all, Woody Guthrie. Even Shreveport’s Huddie Ledbetter, better known as Leadbelly, considered himself a folk singer even though record executives tried to market him as blues. He wrote such folk classics as Goodnight Irene, The Rock Island Line, and House of the Rising Sun (Yes, the Animals’ hit was originally a folk song).

Just as the movement was on the wan, the Vietnam War spawned a whole new generation of songs: One Tin Soldier, For What It’s Worth, Eve of Destruction, Running Through the Jungle, Fortunate Son, War (What is it Good For?), Barry’s Boys, and others. One man, Pete Seeger, spanned both eras and performed well into his nineties.

But let us return to the greatest of them all and perhaps the best folk song ever written, one that resonates louder and more clearly and with more tragic irony today than ever. Let us etch the lyrics of Woody Guthrie’s This Land is Your Land into our consciousness, grasp the words’ meaning in their totality and never allow the song’s message to wander far from our lips:

As I was walking a ribbon of highway
I saw above me an endless skyway
I saw below me a golden valley
This land was made for you and me

The last line tells us everything we need to know about this country and a national feeling of shared pride that was somehow lost along the way: This land was made for you and me.

This land does not belong to the James River Corp., the Chesapeake Energy Co. or to the Koch Brothers. It belongs to you and me—to preserve, to hold and to nurture. Not to pillage, rape and squander her bounty. To that end, we could learn a valuable lesson from the Native Americans.

This land is your land, this land is my land
From California, to the New York Island
From the redwood forest, to the Gulf Stream waters
This land was made for you and me

Politicians and their campaign contributors should not control this land. This land is not owned by Big Pharma or ExxonMobil or Archer Daniels Midland, though you’d never know it by walking the halls of Congress or by strolling down K Street in Washington, D.C., or by examining laws and regulations that were written so as to contribute to the richest one percent or to benefit corporate America at the expense of you and me.

In the squares of the city – In the shadow of the steeple
Near the relief office – I see my people
And some are grumblin’ and some are wonderin’
If this land’s still made for you and me.

How is it that corporations like General Electric can ship jobs overseas where they can exploit cheap labor, rake in record profits, yet pay no corporate income taxes? How is it that this once great land has become a debtor nation with China holding most of the IOU chits? Is this the land we inherited? Is this what politicians and Tea Partiers gush about when they become so misty-eyed while referring longingly to “the American Way?”

As I was walking a ribbon of highway
I saw above me an endless skyway
I saw below me a golden valley
This land was made for you and me

I’ve roamed and rambled and I’ve followed my footsteps
To the sparkling sands of her diamond deserts
And all around me a voice was sounding
This land was made for you and me

The sun comes shining as I was strolling
The wheat fields waving and the dust clouds rolling
The fog was lifting a voice come chanting
This land was made for you and me

As I was walkin’ – I saw a sign there
And that sign said – no tress passin’
But on the other side …. it didn’t say nothin!
Now that side was made for you and me!

This land is your land, this land is my land
From California, to the New York Island
From the redwood forest, to the gulf stream waters
This land was made for you and me.

Attached here are several YouTube videos of various artists performing the song. Perhaps the most poignant is that of the New Christy Minstrels http://www.youtube.com/watch?v=-hSjIDBj5pI&feature=related because it contains disturbing video clips of what this country has become as opposed to what we would wish it to be.

Others include Bruce Springsteen http://www.youtube.com/watch?v=1yuc4BI5NWU&feature=related not because we necessarily prefer his version but because of his spoken observations while introducing the song during one of his concerts.

We include a link to Harry Belafonte’s version http://www.youtube.com/watch?v=iqAyiKaS5uQ simply because he has such a pleasant voice, not laced with anger or outrage.

The Kingston Trio is included http://www.youtube.com/watch?v=07spb387Opc because we feel it is the most rousing version and does the best job of capturing the true spirit of the song.

But no compilation would be complete without two very special versions of the song. The first, by Woody’s son Arlo, http://www.youtube.com/watch?v=pqZ3oNsMVr0&feature=related as he performs (in a tuxedo, if you can believe that) with, of all things, the Boston Pops and finally, by Woody himself http://www.youtube.com/watch?v=wxiMrvDbq3s&feature=related

Next Wednesday, October 3, will mark the 45th anniversary of Woody Guthrie’s death.

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“I think a special session would simply cost taxpayers dollars that would be better spent on health care and higher education. So, I don’t think there’s a need for a special session,”

–Gov. Piyush Jindal at his condescending best, saying he believes his administration has been providing lawmakers enough information about the budget cutbacks for the LSU Health Care System hospitals and closures of Southeast Louisiana Hospital in Mandeville and J. Levy Dabadie Correctional Center in Pineville as he dismissed the idea of a special session.

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“I believe that we are witnessing a complete disregard of the legislative branch’s powers by this administration.”

“Since our adjournment in June, there has been almost a billion dollars in reductions to the state budget without any input from the legislature.”

“This is how I look at the situation: we can either continue to stand by and allow the administration (to) amend the budget or we can do what we were elected to do–represent our constituents.”

–State Rep. Jerome “Dee” Richard (I-Thibodaux), in his call Wednesday to fellow lawmakers to call a special session of the legislature to take back legislative powers which have been usurped by Gov. Piyush Jindal.

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Louisiana Free Press, our expanded sister publication, a free-subscription online e-newspaper devoted exclusively to Louisiana political news, is now conducting test runs of its layout and format.

We will strive to offer the most in-depth coverage of state agencies of all news sources–print or electronic.

Louisiana Free Press will be supported by advertising revenue so that the citizens of Louisiana may enjoy unrestricted, free access to what their state officials are doing in their names.

Accordingly, we are officially soliciting advertisers for the online publication. Please email louisianavoice@cox.net for details and rates.

We will have a full stable of writers providing extensive coverage of all state agencies, boards and commissions, legislative actions (including committee and full House and Senate votes), cabinet positions, including K-12 education (Board of Elementary and Secondary Education), higher education (Regents and University of Louisiana System) LSU, Southern, DEQ, Natural Resources, Louisiana Economic Development, Public Service Commission, State Bond Commission, Attorney General opinions, Louisiana Supreme Court decisions, campaign contributions, etc.

We are very excited about this ambitious endeavor and we promise to strive to bring you even more and better coverage than LouisianaVoice has done for the past two years.

Our initial test installments are simply reprints of stories recently posted on LouisianaVoice. We did this in order to conduct a dry run to iron out any glitches and unexpected snags.

Please check us out at: www.louisianafreepress.com/

And please: give us feedback with your comments, observations and recommendations. We truly value your opinions: that’s why we exist.

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